Category Archives: COLLABOWRITERS

Interview with Alfred Hitchcock

The following extract is from an interview with Alfred Hitchcock from 1963 prior to the release of The Birds in which the master of suspense discusses his recent films, his use of sound and the primacy of emotion over reason in the

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Interview with Alfred Hitchcock

The following extract is from an interview with Alfred Hitchcock from 1963 prior to the release of The Birds in which the master of suspense discusses his recent films, his use of sound and the primacy of emotion over reason in the

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“WHAT-IF” PHENOMENA

by David Perlis “What-Ifs” are big these days. Maybe they always were. What if we had lost WW2? (Man in the High Castle.) What if plummeting fertility rates threatened our society? (The Handmaid’s Tale.) What if 2% of the human population suddenly vanished. (The Leftovers.) One

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“WHAT-IF” PHENOMENA

by David Perlis “What-Ifs” are big these days. Maybe they always were. What if we had lost WW2? (Man in the High Castle.) What if plummeting fertility rates threatened our society? (The Handmaid’s Tale.) What if 2% of the human population suddenly vanished. (The Leftovers.) One

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Are You Writing a Script? Or Are You Writing a Movie?

By Carson Reeves There I was, skimming through the comments last week, when I spotted one that caught my cornea. The comment was from a writer who had asked his director friend what he thought of the Black List. There

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Are You Writing a Script? Or Are You Writing a Movie?

By Carson Reeves There I was, skimming through the comments last week, when I spotted one that caught my cornea. The comment was from a writer who had asked his director friend what he thought of the Black List. There

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NO TENÍAMOS MIEDO A LAS CRÍTICAS

“A finales de los sesenta, principios de los setenta, tuvimos una especie de incubadora maravillosa. Yo creo que empecé a dirigir televisión en el 69, tenía veintiun años. Por aquel entonces conocí a una serie de personas… A George Lucas

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NO TENÍAMOS MIEDO A LAS CRÍTICAS

“A finales de los sesenta, principios de los setenta, tuvimos una especie de incubadora maravillosa. Yo creo que empecé a dirigir televisión en el 69, tenía veintiun años. Por aquel entonces conocí a una serie de personas… A George Lucas

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QUERÍA ESCRIBIR SERIES QUE JODIERAN A TODO EL MUNDO

Por Alvar López y Carlos Muños Gadea (para bloguionistas) El pasado sábado 20 de mayo, el guionista norteamericano Terence Winter -otro invitado de excepción más del sindicato ALMA-, impartió una muy completa Masterclass sobre su extensa carrera como escritor de cine

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QUERÍA ESCRIBIR SERIES QUE JODIERAN A TODO EL MUNDO

Por Alvar López y Carlos Muños Gadea (para bloguionistas) El pasado sábado 20 de mayo, el guionista norteamericano Terence Winter -otro invitado de excepción más del sindicato ALMA-, impartió una muy completa Masterclass sobre su extensa carrera como escritor de cine

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Charlie Kaufman interviewed

The acclaimed writer-director Charlie Kaufman discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process. 
Were you an avid filmgoer in your early years and, if so, which films were

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Charlie Kaufman interviewed

The acclaimed writer-director Charlie Kaufman discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process. 
Were you an avid filmgoer in your early years and, if so, which films were

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Cómo fijar objetivos útiles y cumplirlos

Título original: How To Set Meaningful Goals And Stick To Them. Texto original de Lucy V Hay (Bang2Write). Traducción de Nico Frasquet.  Una cosa que mis compañeros escritores siempre me dicen es: ¿Cómo consigues escribir tanto y además hacer otras cosas? ¿No

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Cómo fijar objetivos útiles y cumplirlos

Título original: How To Set Meaningful Goals And Stick To Them. Texto original de Lucy V Hay (Bang2Write). Traducción de Nico Frasquet.  Una cosa que mis compañeros escritores siempre me dicen es: ¿Cómo consigues escribir tanto y además hacer otras cosas? ¿No

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