Category Archives: COLLABOWRITERS

More Pot than Plot

Daryl Hannah talks about her film PARADOX starring Neil Young. A dreamy fantasy for Netflix about futuristic outlaws on the hunt for old technology. Paradox was “shot on both Super 8 and on Hannah’s phone over four days in the Rockies

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More Pot than Plot

Daryl Hannah talks about her film PARADOX starring Neil Young. A dreamy fantasy for Netflix about futuristic outlaws on the hunt for old technology. Paradox was “shot on both Super 8 and on Hannah’s phone over four days in the Rockies

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Interview with Jim Jarmush

Jim Jarmusch Talks The Vampiric Charms Of ‘Only Lovers Left Alive’ (excerpt from an interview from Indiewire in 2014) Vampires seems like an unlikely subject for you given their position in pop-culture right now. What drew you to them? I just like

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Interview with Jim Jarmush

Jim Jarmusch Talks The Vampiric Charms Of ‘Only Lovers Left Alive’ (excerpt from an interview from Indiewire in 2014) Vampires seems like an unlikely subject for you given their position in pop-culture right now. What drew you to them? I just like

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Paul Thomas Anderson talks about Phantom Thread

BY DANIEL DERCKSEN (writingstudio) How did you get the idea for Phantom Thread? Is it true that you were under the weather and being cared for? That’s true. When I get sick, I deal with it in a few different ways. First,

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Paul Thomas Anderson talks about Phantom Thread

BY DANIEL DERCKSEN (writingstudio) How did you get the idea for Phantom Thread? Is it true that you were under the weather and being cared for? That’s true. When I get sick, I deal with it in a few different ways. First,

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Interview with Alfred Hitchcock

The following extract is from an interview with Alfred Hitchcock from 1963 prior to the release of The Birds in which the master of suspense discusses his recent films, his use of sound and the primacy of emotion over reason in the

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Interview with Alfred Hitchcock

The following extract is from an interview with Alfred Hitchcock from 1963 prior to the release of The Birds in which the master of suspense discusses his recent films, his use of sound and the primacy of emotion over reason in the

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“WHAT-IF” PHENOMENA

by David Perlis “What-Ifs” are big these days. Maybe they always were. What if we had lost WW2? (Man in the High Castle.) What if plummeting fertility rates threatened our society? (The Handmaid’s Tale.) What if 2% of the human population suddenly vanished. (The Leftovers.) One

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“WHAT-IF” PHENOMENA

by David Perlis “What-Ifs” are big these days. Maybe they always were. What if we had lost WW2? (Man in the High Castle.) What if plummeting fertility rates threatened our society? (The Handmaid’s Tale.) What if 2% of the human population suddenly vanished. (The Leftovers.) One

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Are You Writing a Script? Or Are You Writing a Movie?

By Carson Reeves There I was, skimming through the comments last week, when I spotted one that caught my cornea. The comment was from a writer who had asked his director friend what he thought of the Black List. There

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Are You Writing a Script? Or Are You Writing a Movie?

By Carson Reeves There I was, skimming through the comments last week, when I spotted one that caught my cornea. The comment was from a writer who had asked his director friend what he thought of the Black List. There

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NO TENÍAMOS MIEDO A LAS CRÍTICAS

“A finales de los sesenta, principios de los setenta, tuvimos una especie de incubadora maravillosa. Yo creo que empecé a dirigir televisión en el 69, tenía veintiun años. Por aquel entonces conocí a una serie de personas… A George Lucas

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NO TENÍAMOS MIEDO A LAS CRÍTICAS

“A finales de los sesenta, principios de los setenta, tuvimos una especie de incubadora maravillosa. Yo creo que empecé a dirigir televisión en el 69, tenía veintiun años. Por aquel entonces conocí a una serie de personas… A George Lucas

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