Claudia Llosa dirigirá película basada en novela de la argentina Samanta Schweblin

Netflix anunció hoy que la galardonada directora peruana Claudia Llosa (La teta asustada) dirigirá Distancia de Rescate, una película de Netflix basada en la novela homónima de la autora argentina Samanta Schweblin, quien coescribió el guion con Llosa. La película de Netflix será producida por

Claudia Llosa dirigirá película basada en novela de la argentina Samanta Schweblin

Netflix anunció hoy que la galardonada directora peruana Claudia Llosa (La teta asustada) dirigirá Distancia de Rescate, una película de Netflix basada en la novela homónima de la autora argentina Samanta Schweblin, quien coescribió el guion con Llosa. La película de Netflix será producida por

Jacques Tourneur : The Film Society of Lincoln Center is putting on the largest retrospective of the Master of Mood’s films to be screened in New York City in decades.

He is the Master of Mood. Once you’ve seen a few films by Jacques Tourneur, you see how meticulously this extraordinary filmmaker could create a sense of atmosphere, no matter the setting. The Film Society of Lincoln Center is now set to host

Jacques Tourneur : The Film Society of Lincoln Center is putting on the largest retrospective of the Master of Mood’s films to be screened in New York City in decades.

He is the Master of Mood. Once you’ve seen a few films by Jacques Tourneur, you see how meticulously this extraordinary filmmaker could create a sense of atmosphere, no matter the setting. The Film Society of Lincoln Center is now set to host

Dario Argento and the True Meaning of ‘Suspiria’

By Jon Fusco  Which witch is which? With the release of Luca Guadanigno’s remake last month, Suspiria is back in the eyes of the public. For many, however, it never really left. Dario Argento’s original film is a cult classic that, much like the titular mother from

Dario Argento and the True Meaning of ‘Suspiria’

By Jon Fusco  Which witch is which? With the release of Luca Guadanigno’s remake last month, Suspiria is back in the eyes of the public. For many, however, it never really left. Dario Argento’s original film is a cult classic that, much like the titular mother from

Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)

By Jason Hellerman You’ve thought about writing a screenplay and we’re here to make it happen. Many people come to No Film School because they want to get information about cameras, gear, and storytelling. We’re aware that the luxury of attending film

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Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)

By Jason Hellerman You’ve thought about writing a screenplay and we’re here to make it happen. Many people come to No Film School because they want to get information about cameras, gear, and storytelling. We’re aware that the luxury of attending film

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Stream : The Criterion Channel

Hello Criterion Channel! New of what was happening or not happening or kind of happening with FilmStruck has been all over the place. But now we have confirmation from Criterion themselves that a new channel for this content will be coming to

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Stream : The Criterion Channel

Hello Criterion Channel! New of what was happening or not happening or kind of happening with FilmStruck has been all over the place. But now we have confirmation from Criterion themselves that a new channel for this content will be coming to

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How to Write An Elevator Pitch

BY Jason Hellerman (for nofilmschool) Learning how to write an elevator pitch is a skill you can’t put a price on. Why? Because we’ve all been there when lightning strikes and that excellent idea comes to life in our minds.

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How to Write An Elevator Pitch

BY Jason Hellerman (for nofilmschool) Learning how to write an elevator pitch is a skill you can’t put a price on. Why? Because we’ve all been there when lightning strikes and that excellent idea comes to life in our minds.

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MASTERCLASS: EL OFICIO DE GUIONISTA (En Alicante, España)

por Sergio Barrejón. En el contrato de mi primera película como guionista había una cláusula que aplazaba el pago de la mitad de mi sueldo al inicio de rodaje. La película tardó cinco años en rodarse. En las reuniones de trabajo de otra

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MASTERCLASS: EL OFICIO DE GUIONISTA (En Alicante, España)

por Sergio Barrejón. En el contrato de mi primera película como guionista había una cláusula que aplazaba el pago de la mitad de mi sueldo al inicio de rodaje. La película tardó cinco años en rodarse. En las reuniones de trabajo de otra

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